shure sm27 vs ksm27
November 13th, 2020

version rated at 14 dB). I have to say that as an engineer and producer, I’ve been blessed with being able to work with many talented singer/songwriters. Your Pedalboards 2020: Part Deux, 1. The capsule membrane measures 25mm in diameter and is made of 2.5-micron, gold-plated Mylar. Live Chat. Thread: Shure KSM27 vs. eliminating some ground vibration that two In fact, while A/B’ing this mic with a 57 I GK Backline 600. Otherwise, it's real easy to evaluate the SM137; if you liked the KSM109, you'll like this-since it's essentially the same mic. Purchased at Guitar Center, NJ, for vocal recording in home studio. Operation can be from any phantom power source in the range 11 to 52 Volts, though for maximum sensitivity 48V (±4V) operation is specified. this mic translates is impressive The SM27 has a 20 Hz to 20 kHz frequency But, depending on your experience and willingness to experiment, this could be the ultimate microphone for a one-mic kind of person with a $300 budget, or a great third mic for someone looking to evolve a beyond the [SM57] and the [SM58]…. distance in order to elevate your lead sound I found it a little thin overall and fizzy in the high end. For kicks, I tried running acoustic guitar through the SM27, and while it would never be my first choice in that application, it got me a sound from my Collings C10 that I could use in a mix (and did). The Shure KSM27 is a recently discontinued large diaphragm condenser microphone that is initially remarkable for how small it truly is. Although the cheap imports offer exceptional value and work outrageously well for their price, most still perform noticeably less well than the best mics from the established names, either sounding less tonally smooth and/or being a little noisier than the mics they purport to emulate. I can’t Comparing Shure SM27 vs Shure SM7B . Hz roll-off (via a 6 dB octave filter). If you were stranded on a desert island with nothing but a recording studio and a very long mains lead, this would be a good mic to have with you! and you said it in another post that I didn't know what I was talking about or knew how to use a CAD M179. At high volumes, being placed The views expressed are those of the contributors and not necessarily those of the publishers. It runs on 48V Phantom Power. The SM27 gave me exactly what I wanted on vox-so well in fact that I didn't see any need to re-record the lead. Sales & Expert advice 800.606.6969 or 212.444.6615. You should search but I did it for you because people asy i have nice manners. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. One unusual aspect of the capsule is the use of a very thin 2.5µm gold-layered mylar diaphragm, and an internal shockmounting system is employed to reduce mechanical noise, in addition to the included elastic suspension mount. Shure has recently discontinued this microphone, replacing it with a fundamentally different SM27. Switches are provided for two settings of low cut (flat, 6dB/octave at 115Hz, or 18dB/octave at 80Hz) and for bringing in a 15dB pad. Summing up, the performance of the KSM27 is closer to that of a high-end model than its UK price might lead you to believe and the standard of engineering is excellent. general versatility in the studio has me A dual-diaphragm version of this capsule can be found in the KSM44, KSM44A, and KSM42. What is a "hybrid" audio interface anyway? a velveteen case.). The Shure® SM27 is a rugged and versatile large-diaphragm, side-address cardioid microphone. Learning to use that to your advantage… is much more involved than slapping a trustworthy handheld dynamic in that familiar spot on the grill. Following up on the success of the MA-300 large-diaphragm tube mic [Tape Op #87], Mojave recently released a FET version. a full sound and much of the rich character SM27 also came in handy during a session drums, even in a situation when a room’s ceiling effective allowed the SM27’s pronounced versatile and has a distinct character for Right I'm not the only person on gearslutz that uses them all over the place. guitarist’s studio or gig bag. Audio Technica 4040 Sign in to disable this ad Ay wutup people, I'm thinking of picking up a studio … I'm planning on getting another one. It incorporates a non-switchable subsonic filter to remove audio noise below 17Hz. Rode NT1A for Male Vox When you buy products through links across our site, we may earn an affiliate commission. I needed a quality studio condenser mic for my project studio. IThe mic is secured to its suspension mount via a screw ring at the base. It does also require phantom power as all condenser microphones do, so you need to have it plugged into a board that has phantom power if you are going to use it for live shows. slapping a trustworthy handheld dynamic in in it, and a kit cab with four 10s hooked up to a range. Of course, none of this would be worth anything if the sound wasn't high quality, and I'm happy to say that both you and the Dixie Chicks-who often use the KSM27 for their live performances-will be happy to know that this new 27 version captures vocals just as vibrantly and clearly as the old version did. For Design, CMS, Hosting & Web Development :: ePublishing, On PremierGuitar.com, "Sponsored Content" refers to articles, videos, or audio recordings that are produced or curated by an advertiser but that. SM line. acoustic soundhole of a Cole Clark Fat model in Shure’s studio-leaning KSM line, on the heads and a Rode NT1-A was doing It sounds great through a variety of pre amps. Shure KSM27 vs. (This content has been automatically translated from French). The one thing I’ve discovered is that the best performances... Jim Williams has spent much of his 56 years working with some of the biggest names in the music business, including Frank Zappa, John McLaughlin and Stevie Wonder. Again, the SM moniker stresses its use as a live performance mic, but unfortunately, my PA system doesn't include phantom power, so I wasn't able to test it live. other mics with shock mounts couldn’t eliminate. In looking over some options for inexpensive condenser pairs I keep coming back to thinking that if the 27s, which I've not heard, are reasonably close to them I'd be very happy with a pair for $600, and they'd get much individual work as well. The SM27 is a different color (charcoal grey, rather than champagne). I have a ksm27 and a ksm32 and I like the 27 over it. say I experimented with vocals enough to And it Nope, this charcoal grey microphone has a much better self-noise figure than the Champagne version, rated at a very low 9.5 dBA (anything below 15 dBA is good) and a signal-to-noise ratio of 84 dB, compared to the old KSM27's specs of 14 dBA and 80 dB. The combination of warmth and transparency makes the KSM27 useful for situations in which you have to deal with different vocalists and instruments on each session, while the extended bass end means you can use it to record almost anything. I had full control of low-end I think the rhodes can be brittle in the high end, but its a cheap condenser, something that is common with that. I felt all the other mics added more in the way of apparent coloration or flavour to the sound than the KSM27, but at the same time the KSM27 couldn't be accused of sounding in any way tame. A versatile, entry-level large-diaphragm condenser mic with a particularly well balanced performance.

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