When the Count meets with "Susanna" in the garden, the two make passionate love. The current Met production of Le Nozze di Figaro places the action in the 1930s. ’s amazing score mirrors the complex world it depicts. Finally, finding who he thinks is Susanna, he discovers that it is his wife. In order to repay a debt owed to Figaro, Marcellina wants Figaro to marry her - a promise he made to her if she is unable to repay what is owed. Aaron M. Green is an expert on classical music and music history, with more than 10 years of both solo and ensemble performance experience. The Count has plans to punish Cherubino after he was caught in the garden with Barbarina, the gardener's daughter. The Countess tells him it's only Susanna, but unbelieving, he takes her along with him to fetch some tools to pry open the wardrobe doors. Watch Le Nozze di Figaro live on Tuesday 5 January at 6.40 pm on Stage24. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. Antonello Manacorda and Cornelius Meister conduct Sir Richard Eyre’s fast-paced production. The Count then finds Cherubino hiding, which angers him even more. Nozze di Figaro. Cherubino quickly hides when he hears the Count approaching, fearing to be caught with Susanna alone. Figaro arrives with several servants and they praise the Count for abolishing the "droit du seigneur." Voi, che sapete, che cosa è amor : aria, in the opera of Le nozze di Figaro / composed by Mozart. He gives her a ring and she departs. Figaro protests and argues that he must first have the blessing of his parents, whom he was separated from at birth. Amidst their conversation, the Count hears a noise coming from the wardrobe. The Count, having pricked his finger, drops the letter and pin onto the floor. Read more about Le nozze di Figaro. But after seeing her speak with Figaro moments later, he feels he is being duped. The three share a warm reunion and Bartolo and Marcellina agree to have a dual wedding that night. , was famous in Mozart’s time as a place filled with hot-blooded young men and exotically beautiful women sequestered behind latticed windows, or “jalousies” (which gave us our English word “jealousy”). Within the wedding hall, Susanna tells the Count to meet her secretly within the garden that night. His achievements in opera, in terms of beauty, vocal challenge, and dramatic insight, remain unsurpassed. He tells Figaro that he must marry Marcellina instead. is a remarkable marriage of Mozart’s music at the height of his genius and one of the best librettos ever set. In adapting a play that caused a scandal with its revolutionary take on 18th-century society, librettist Lorenzo Da Ponte focused less on the original topical references and more on the timeless issues embedded in the frothy drawing-room comedy. Moments later, Dr. Bartolo and his old housekeeper, Marcellina, enter Figaro's room. In adapting a play that caused a scandal with its revolutionary take on 18th-century society, librettist Lorenzo Da Ponte focused less on the original topical references and more on the timeless issues embedded in the frothy drawing-room comedy. The seamless union of the music and the libretto makes Le nozze di Figaro the most perfect masterpiece in its genre. Finally, she realizes he is only joking and knows that he has discovered the truth. Figaro finds Susanna disguised as the Countess, and upon recognizing her, he leads her on by confessing his love for her. After going over the details of their plan, the Countess (dressed as Susanna) stays behind in the garden and waits for the Count. Standout solo numbers include the Countess’s two arias, Cherubino’s “Voi, che sapete,” Susanna’s “Deh, vieni, non tardar,” and Figaro’s arias, the angry Act IV diatribe against womankind, “Aprite un po’ quegli occhi,” and Act I’s “Non più andrai,” in which not even the most buoyant and memorable melody in the world can quite hide the character’s sarcasm. Just then, Figaro enters the room feigning a sprained ankle after having jumped out the window. He begs for forgiveness and all is well. The first impression is one of tremendous beauty and elegance. Production a gift of Mercedes T. Bass, and Jerry and Jane del Missier, Revival a gift of the Metropolitan Opera Club. The story is set in … Having overhead everything from behind a screen, Susanna helps Cherubino escape out a window before the Count and Countess return. She gets in the wardrobe and waits. Cherubino asks Susanna to speak with the Countess on his behalf, hoping that she will intercede and thwart his punishment. Susanna arrives unknowing of the news, and seeing Figaro hugging Marcellina, she comes to the conclusion that Figaro has feelings for Marcellina. Vocal score. Then, Marcellina, Bartolo, and Basilio arrive with a court summons for Figaro and the Count happily postpones the wedding. Complete Information About Le nozze di Figaro in Netherlands at Dutch National Opera. Buy Tickets. Alternative Title: “Le nozze di Figaro” The Marriage of Figaro , Italian Le nozze di Figaro , comic opera in four acts by Austrian composer Wolfgang Amadeus Mozart (Italian libretto by Lorenzo Da Ponte ), which premiered in Vienna at the Burgtheater on May 1, 1786. Watch Le Nozze di Figaro live on Tuesday 5 January at 6.40 pm on Stage24. Cherubino hides inside the wardrobe before the Countess unlocks the door. A profoundly humane comedy, Le Nozze di Figaro is a remarkable marriage of Mozart’s music at the height of his genius and one of the best librettos ever set. Susanna tells her that the Count has offered her money in return for her affections, but reassures her that she wants nothing to do with the Count. . Wolfgang Amadeus Mozart (1756–1791) was the son of a Salzburg court musician who exhibited him as a musical prodigy throughout Europe. The story is set in Seville, Spain, several years after The Barber of Seville. Librettist Lorenzo Da Ponte (1749–1838), who led an adventurous life in Venice and Vienna, also collaborated with Mozart on Don Giovanni and Così fan tutte. Figaro, the valet to Count Almaviva, and Susanna, the maid, are preparing for their imminently approaching wedding when Figaro learns that the Count has desires for Susanna. Dig a little deeper, and you’ll find all the underlying pain and deception, with a constant tension between the social classes and the sexes, where each character has something to gain and something to hide. #Lenozzedifigaro #stage24 @oopperabaletti Wolfgang Amadeus Mozart's Le Nozze di Figaro, "The Marriage of Figaro," premiered on May 1, 1786, at the Burgtheater, in Vienna, Italy. He tries to allure Susanna, but is interrupted by the music master, Don Basilio. Meanwhile, Susanna sings of her love for Figaro, though Figaro mistakenly believes she is singing about the Count.
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