giorgio morandi, natura morta
November 13th, 2020

Nel frattempo, Vitali acquistava per la sua raccolta alcune splendide opere a olio, che si datano nell’arco di circa trent’anni e che segnano alcuni dei passaggi fondamentali della carriera di Morandi: dai primi dipinti ispirati alla maniera di Cézanne (Paesaggio, 1911), alle opere metafisiche e a quelle che Morandi espose insieme al gruppo di Valori Plastici negli anni venti (Fiori, 1918; Natura morta, 1920) fino allo splendido e rarefatto Paesaggio del 1941, che secondo le parole di Vitali fu “risolto in una sola seduta ma di certo meditato a lungo”. signed and dated “Morandi 1930” lower center, 20th Century & Contemporary Art Evening Sale in Association with Poly Auction, 20th Century & Contemporary Art and Design Day Sale in Association with Poly Auction, 20th Century & Contemporary Art Evening Sale, 20th Century & Contemporary Art Day Sale, Morning Session, 20th Century & Contemporary Art Day Sale, Afternoon Session, The Room: Contemporary Art, Editions, & Photographs. 158, n.p. It has since been prominently included in some of Morandi’s most seminal monographic exhibitions over the past five decades and is further distinguished by its exceptional provenance, having been acquired by Duchess Marguerite Caetani di Sermoneta and then gifted to a friend in whose family it remained. Giorgio Morandi (July 20, 1890 – June 18, 1964) was an Italian painter and printmaker who specialized in still life.His paintings are noted for their tonal subtlety in depicting apparently simple subjects, which were limited mainly to vases, bottles, bowls, flowers and landscapes. While the present work is then a figurative image borne from reality, it is also an abstracted and highly atmospheric image that appeals to the viewer’s senses in a manner indebted to 18th century still-life master Jean Siméon Chardin. Accession Number: 46.147.16 A laborious, experimental and diversified period of artistic research, the 1930s saw the artist produce only a limited number of still-life paintings: only 14 between 1930 and 1932, all but abandoning the subject between 1933 and 1934 in favor of landscapes.Natura Morta powerfully articulates the new formal direction the artist was beginning to take in this period, which was characterized by a darker palette, an exaggerated use of chiaroscuro, and, significantly, a shift towards abstraction. They sit on a beige tabletop, the edge of which is slightly below the center of the canvas, dividing the composition into three bands. Paul Cezanne 1839 - 1906. Subscribe to our newsletter and receive exclusive content about our auctions, exhibitions, and special events. 39, p. 74 (illustrated, n.p.) “There is nothing…more abstract than reality” – Giorgio MorandiAn exceptionally rare work by Giorgio Morandi, Natura Morta invites us into the ethereal microcosm of the artist’s famous table top still-lifes. He lived from 1890 - 1964 and is most remembered and renowned for his extensive body of still life paintings (called natura morta in Italian). L’anno successivo, i due si incontrarono a Venezia, dove Morandi esponeva nei saloni della Biennale e dove Vitali acquistò la sua prima opera, Fiori, dipinta nel 1918. Painted in 1930, the present work is among the largest still-life paintings in the artist’s oeuvre and was the largest of only five created that year. Scarica l'immagine ad alta risoluzione TITOLO Natura morta AUTORE Giorgio Morandi DATA 1920 MATERIA E TECNICA Olio su Tela TECNICA OPERA Olio su Tela DIMENSIONI cm 60,5 × 66,5 INVENTARIO 7442 SALA XV FIRMA Morandi 1920 Opera esposta Donazione The painting depicts Morandi’s iconic repertoire of opaque vases, jugs, bottles, cans, knives and boxes, masterfully rendered in an array of subtle earthy hues and dramatically orchestrated across the width of the table. Natura morta, 1949. Dopo aver selezionato uno o più filtri di ricerca, clicca sul bottone Cerca. (illustrated). Cultural Exchange (Mummie wants to go home), The Blank Memories Always Open From the South. Artwork page for ‘Still Life’, Giorgio Morandi, 1946 on display at Tate Modern. He often included the same selection of familiar items in his works. Prima di arrivare al museo prepara il tuo percorso 32, p. 16 (illustrated, p. 48)Rome, Galleria Nazionale d’Arte Moderna, Giorgio Morandi, May 18 – July 22, 1973 Oslo, Kunstnernes Hus; Helsinki, Ateneumin taidemuseo, Dal ritorno all'ordine al richiamo della pittura: Continuità figurativa nella pittura italiana, 1920-1987, February 6 - April 24, 1988, no. (38.4 x 50.8 cm) Classification: Prints. (55 x 61 cm. 19, p. 64 (illustrated) Lamberto Vitali, Morandi: Dipinti, Catalogo generale, Volume primo 1913/1947, Milan, 1994, no. When Morandi painted the present work he had been pursuing the still-life genre for nearly two decades. Paesaggio, 1960. From Triennale Design Museum, Giorgio Morandi, Natura morta (1941), Oil on canvas, 37 × 50 cm Giorgio Morandi (July 20, 1890 – June 18, 1964) was an Italian painter and printmaker who specialized in still life.His paintings are noted for their tonal subtlety in depicting apparently simple subjects, which were limited mainly to vases, bottles, bowls, flowers and landscapes. Morandi’s still-lifes also gained a palpable emotional density in the 1930s, as can be seen in the dynamic constellation and intense lighting in the present work which imbues the microcosm of his tabletop with elusive tensions. Deliberately allowing for his brushwork to remain visible, Morandi here weaves a dense composition that achieves the rare feat of suggesting both flatness and depth. In this work, the objects lose their domestic purpose, becoming sculptural objects. Living between France and Italy, the American-born Duchess was a passionate patron and collector of the arts, as well as an editor and publisher of modernist literary journals. Like his great hero Paul Cézanne, Morandi abandoned the notion of the still-life as a straightforward representation of reality. Natura Morta Giorgio Morandi 1953. Duchess Marguerite Caetani di Sermoneta, Rome Thence by descent to Donna Lelia Caetani Howard, RomeGifted by the above to the father of the present owners in the late 1970s, and thence by descent, Venice, XXXIII Biennale Internazionale d'Arte, Mostra Retrospettiva di Giorgio Morandi, June 18 – October 16, 1966, no. GIORGIO MORANDI (1890-1964) 'Natura Morta (Still Life)', 1929 (oil on canvas) I n the hands of a lesser artist, Morandi's restricted choice of subject matter could give rise to a series of boring repetitive images. signed and dated “Morandi 1930” lower centeroil on canvas21 5/8 x 24 in. Giorgio Morandi, ‘Natura Morta’, 1929 Oil on canvas Morandi was also deeply interested in Cezanne’s approach to structure, which has long been central to Morandi’s own vision.

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